Roland Holst, Richard – Jan Verkade (1868-1946) schilderend onder een boom (1891), 1891 Rijksmuseum: part 4

The composition presents a figure seated beneath the dense canopy of a tree, engaged in the act of painting. The individual is dressed formally, sporting a dark suit and hat, suggesting a certain social standing or professional identity. He sits cross-legged on what appears to be grass, his posture slightly hunched over an easel positioned directly in front of him. A paint box rests nearby, further reinforcing his role as an artist.
The color palette is dominated by muted greens and browns, creating a sense of enclosure and tranquility. The foliage above filters the light, casting dappled shadows across the scene and softening the edges of the figure. Brushstrokes are visible throughout, contributing to a textured surface that conveys immediacy and spontaneity.
Here we see an exploration of the artists role within nature. The setting is not merely a backdrop but seems integral to the creative process itself. The formal attire juxtaposed with the informal posture and outdoor location suggests a tension between societal expectations and artistic freedom. It could be interpreted as a commentary on the dedication required for artistic pursuit, or perhaps an exploration of how observation informs creation.
The figure’s gaze is directed downwards towards his work, suggesting intense concentration and absorption in the task at hand. This inward focus isolates him from the surrounding environment, emphasizing the solitary nature of creative endeavor. The paintings composition directs attention to this moment of focused activity, inviting contemplation on the relationship between artist, subject, and the natural world.