Rijksmuseum: part 4 – Dijsselhof, Gerrit Willem -- Najaarsdag, 1895-1915
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The artist has rendered the foliage with loose brushstrokes, creating a textural effect that emphasizes the dryness and fragility of the vegetation. The absence of leaves contributes to the overall feeling of dormancy and decline associated with autumn. A single tree stands prominently on the right side of the composition, its pale bark contrasting with the darker tones of the surrounding landscape.
Above, the sky is filled with voluminous clouds – a mixture of white and grey that diffuse the light and create a sense of atmospheric depth. The clouds are painted with considerable dynamism, their swirling forms suggesting movement and change. Three birds fly in the upper left corner, adding a touch of life to the otherwise still scene.
The color palette is restrained, primarily consisting of earth tones – browns, yellows, greys – with subtle variations in hue and value. This limited range contributes to the painting’s melancholic mood. The light appears diffused and even, lacking strong contrasts or dramatic shadows.
Subtly embedded within this depiction of nature is a sense of introspection. The barrenness of the landscape might be interpreted as a metaphor for loss or transition. The vastness of the sky evokes feelings of solitude and contemplation. While devoid of human presence, the scene invites reflection on the cyclical nature of life and death, growth and decay – themes frequently explored in late 19th-century art. The overall impression is one of quiet observation and a poignant awareness of the passage of time.