John William Waterhouse – The Lady of Shalott
1894
Location: Leeds Museums and Galleries (Leeds Museums and Galleries, Leeds City Council), Leeds.
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The subtext of the painting is deeply tied to themes of art, isolation, and the conflict between romantic ideals and reality. The Lady is bound by a curse: she can only weave and is forbidden to look directly at the outside world. Her weaving is her only connection to life and provides her with artistic expression. However, when she sees a knight, Sir Lancelot, reflected in the window, love and desire overwhelm her. She breaks the curse by turning to look at him directly, which seals her fate. The tapestry represents her artistic output and her entrapment. Her gaze towards the outside world symbolizes her yearning for direct experience and love, a desire that ultimately leads to her destruction. The painting captures the poignant moment of her decision, the tension between her artistic duty and her human longing, and the tragic consequences that follow.