Jan Havicksz Steen – Oysters
Location: Mauritshuis, Den Haag.
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The table upon which the oysters rest is draped with a dark blue cloth, providing a stark contrast to the vibrant red of the woman’s garment. This color choice likely serves to highlight both her attire and the preciousness implied by the food being consumed. A silver platter laden with more oysters and what appears to be lemon wedges sits nearby, suggesting abundance and luxury. The presence of a partially eaten oyster on another plate further reinforces this notion of consumption and enjoyment.
In the background, a figure dressed in a cap and jacket is visible, seemingly attending to some task near a large cabinet. This individual’s posture suggests subservience or service, reinforcing the hierarchical structure inherent in the scene – the woman as recipient, the other person as provider. The cabinet itself holds various objects, including what appears to be a painting within it, creating layers of visual depth and hinting at the familys wealth and taste. A still life arrangement with a pitcher and glass is also visible on a shelf behind the figure.
The overall effect suggests a moment of private indulgence within a comfortable domestic setting. The oysters themselves carry symbolic weight; they were historically associated with luxury, fertility, and even aphrodisia. Their presence in this scene subtly implies themes of prosperity, sensuality, and perhaps even a veiled commentary on social status. The artist’s meticulous attention to detail – the sheen of the oyster shells, the texture of the fabric, the subtle play of light – contributes to an atmosphere of refined elegance and quiet opulence.