#29397 Jesús Helguera Ausencia (1910-1971)

Here we observe a coastal scene dominated by a lighthouse and associated structures. The composition is structured around a prominent, multi-tiered lighthouse that rises from a grassy bluff overlooking a body of water. Several residential buildings, rendered in similar architectural style with yellow roofs, cluster around the base of the tower, suggesting a small community or station connected to the lighthouses function.
The artist employed a pastel technique, evident in the visible strokes and layered application of color. The palette is predominantly warm – yellows, oranges, and greens – which contribute to an overall sense of tranquility and perhaps even nostalgia. The water reflects these hues, creating a visual harmony between the sky, land, and sea. A band of muted blues and grays defines the horizon line, providing depth and contrast.
The rendering style leans towards realism but with a softened edge; details are present but not sharply defined, contributing to an impressionistic quality. The vegetation on the bluff is depicted with loose strokes, suggesting movement and natural growth. The artist’s choice of perspective places the viewer slightly elevated, allowing for a comprehensive view of the scene.
Subtextually, the painting evokes themes of isolation, resilience, and human connection to nature. Lighthouses traditionally symbolize guidance and safety, particularly in challenging environments. Their presence here suggests a steadfastness against the elements and a beacon of hope. The clustered buildings imply a community bound by shared purpose or circumstance – perhaps those who maintain the lighthouse or rely on its services.
The overall mood is one of quiet contemplation; it’s not a scene of dramatic action but rather an observation of a place defined by its relationship to the sea and sky. The artists signature, E.D. Abrams, at the bottom suggests a personal connection to this locale or subject matter, lending a sense of intimacy to the work.