Pietro Candido – Holy Family with Saints Anne and Infant John the Baptist
Location: Vatican Museums (Musei Vaticani), Vatican.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
To the left of the composition stands an older man, his face framed by a beard and hair streaked with grey. He is dressed in brown robes and holds open a book, suggesting scholarship or piety. A small child, partially nude and holding what appears to be a lamb, occupies the extreme left foreground. The presence of this animal introduces symbolic layers; it could allude to sacrifice, innocence, or Christ as the Lamb of God.
The background is sparsely rendered, depicting a cityscape under a cloudy sky. This backdrop provides a sense of depth but remains secondary to the figures in the foreground, emphasizing their importance within the narrative. The dark curtain draped across the upper portion of the canvas creates a theatrical effect, isolating the scene and drawing attention to the central grouping.
The arrangement of the figures suggests a hierarchical structure. The woman holding the child appears as the focal point, while the other individuals are positioned around her in supporting roles. The older man’s posture and book-holding gesture suggest wisdom or guidance, while the kneeling figure conveys humility and devotion. The infant with the lamb introduces an element of prophecy and foreshadowing.
The overall effect is one of serene piety and familial harmony, albeit tinged with a sense of solemnity. The artists use of light and shadow enhances the emotional impact of the scene, highlighting key figures and creating a sense of depth within the limited pictorial space. The color palette, dominated by warm earth tones and soft whites, contributes to the painting’s gentle and contemplative atmosphere.