Paul Sandby – Lady Francis Scott and Lady Elliot
c.1770. 13×13
Location: Yale Center for British Art, Paul Mellon Collection, New Haven.
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Beside her sits another woman, partially obscured by foliage. She wears an elaborate hat adorned with feathers or ribbons, and her attire mirrors the style of her companion’s, though perhaps with greater ornamentation at the neckline – a frilled white chemise peeks from beneath the coats collar. Her gaze is directed towards the standing figure, conveying a sense of quiet observation or perhaps anticipation.
The background is loosely rendered, suggesting a landscape receding into distance through hazy blues and greens. A small table with writing implements sits near the standing woman, alongside what appears to be a discarded sphere – possibly a toy or decorative object. The unusual octagonal format of the work contributes to its overall aesthetic, framing the scene in an unconventional manner that draws attention to the figures within.
Subtleties within the painting hint at social dynamics and personal relationships. The act of writing and reading letters was central to communication and courtship during this era; here we see it presented as a shared moment between these two women. Their proximity, coupled with the seated woman’s attentive gaze, suggests intimacy or perhaps a close familial bond. The discarded sphere introduces an element of playfulness or leisure into the scene, contrasting with the formality of their attire and the seriousness implied by the letter-writing activity. The overall impression is one of quiet elegance and understated social interaction within a privileged setting.