The “Press Gang” Alexander Johnston (1815-1891)
Alexander Johnston – The “Press Gang”
Impressment, “the press” or the “press gang”, refers to the act of taking men into a navy by force and with or without notice. It was used by the Royal Navy, beginning in 1664 and during the 18th and early 19th centuries, in wartime, as a means of crewing warships, although legal sanction for the practice goes back to the time of Edward I of England.
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Painter: Alexander Johnston
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The central figure in red, the sailor, displays an expression of resistance and distress. His posture suggests struggle; his arms are raised defensively as he is restrained. The men surrounding him – their faces etched with determination or perhaps callousness – exhibit a coordinated effort to subdue him. Their clothing, a mix of rough workwear and civilian attire, hints at a diverse group acting in concert.
To the left, a young woman in a white dress attempts to shield the sailor from his captors. Her gesture is one of empathy and defiance; she steps forward with an urgency that contrasts sharply with the stoicism of those involved in the apprehension. A small child clings to her skirt, adding another layer of vulnerability to the scene.
A crowd gathers behind these central figures, their reactions varied – some appear concerned or apprehensive, while others seem indifferent or even amused by the unfolding drama. The presence of a well-dressed gentleman observing from a distance suggests a social divide and perhaps a commentary on the detachment of the privileged classes from the struggles of those less fortunate.
The background reveals a bustling urban environment with buildings rising in tiers, suggesting a coastal town or port city. A notice posted on one building indicates a call for manpower, likely related to naval recruitment. The overall atmosphere is charged with tension and unrest, hinting at themes of coercion, social injustice, and the vulnerability of individuals within a system of power.
The artist’s use of light and shadow further emphasizes the drama. Harsh sunlight illuminates the central figures, highlighting their emotional states and physical struggle, while darker areas recede into the background, obscuring details and creating a sense of depth. The scattered hat on the ground adds to the feeling of disorder and disruption.
The painting seems to explore the complexities of authority, individual liberty, and the human cost of societal demands. It is not merely a depiction of an event but rather a visual commentary on power dynamics and the plight of those caught within them.