Coberta 1929 Pere Daura

The composition presents a striking visual statement, employing bold colors and stark geometric forms to convey a sense of revolutionary fervor. The dominant color scheme is built around red and blue, with accents of white and black, creating a high-contrast effect that immediately draws the eye.
A large, stylized globe occupies the upper portion of the image. Its surface is rendered in shades of red and orange, suggesting heat, conflict, or perhaps even a symbolic representation of revolution spreading across the world. A geometric framework – a series of intersecting lines forming a roughly circular shape – encircles the globe, giving it an almost caged appearance. This could be interpreted as representing the constraints imposed upon global events by political forces or ideologies.
To the left, a raised arm holding a banner dominates the vertical space. The flag’s design is abstract and symbolic rather than representational of any specific nation. Its placement suggests action, defiance, and the assertion of power. A long, slender object – likely intended to be a spear or similar weapon – extends downwards from the hand, further reinforcing this sense of forward momentum and struggle.
The text is arranged in a hierarchical manner. The words OTTOBRE 1917 are prominently displayed in large, blocky lettering, immediately establishing a temporal reference point. Below that, names appear stacked vertically: “JOHN REED” and “DIEGO GIORNI,” followed by the titles “SCONVOLSERO IL MONDO.” This arrangement emphasizes the authors’ roles as agents of change or witnesses to significant historical events. The smaller text at the bottom provides publication details, grounding the image in a specific context.
The overall effect is one of dynamism and urgency. The sharp angles, bold colors, and symbolic imagery combine to create a powerful visual message about upheaval, revolution, and global transformation. The design’s simplicity lends itself well to reproduction and dissemination, suggesting its intended purpose as a piece of propaganda or political communication. The use of geometric abstraction moves beyond literal representation, aiming instead for an emotional impact and a sense of universal significance.