#41517 Chen Jun

The composition presents a cluster of lotus blossoms rising from a body of water, set against a pale, almost ethereal background. Several blooms are fully open, displaying delicate pink petals with subtle gradations in color that suggest both light and shadow. Other buds remain closed, hinting at potential yet to unfold. The broad, rounded leaves of the lotus provide a strong visual base for the floral display, their surfaces rendered in varying shades of green and blue, creating depth and volume.
Above this botanical arrangement, a swallow is depicted in flight, its dark form sharply contrasting with the lightness of the sky. Its wings are outstretched, suggesting movement and freedom. The bird’s placement above the lotus suggests a connection between earthly beauty and aerial grace.
The artist employs a restrained palette dominated by pinks, greens, blues, and whites. This limited range contributes to a sense of tranquility and harmony. Fine lines delineate the forms, characteristic of traditional East Asian painting techniques. A delicate wash technique softens edges and creates an atmospheric effect.
In the upper right corner, a circular red seal is visible, likely representing the artist’s signature or studio mark. To the lower left, vertical script in Chinese characters adds another layer of meaning, potentially containing poetic verses related to the subject matter. The text at the bottom indicates the artists name and location.
Subtly, the painting evokes themes of purity, rebirth, and transcendence. Lotus flowers are often associated with spiritual enlightenment in Eastern cultures, emerging from muddy waters to bloom into pristine beauty. The swallow, a symbol of spring and good fortune, reinforces this sense of renewal and hope. The overall effect is one of quiet contemplation and appreciation for the natural world.