William Marlow – View of Verona
after Bernardo Bellotto c.1760-70 oil on canvas
Location: Samuel Courtauld Trust, The Courtauld
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The artist employed a muted palette, favoring earthy tones – ochres, browns, and grays – to depict the buildings and landscape. This restrained color scheme contributes to an overall sense of tranquility and distance. The sky occupies a significant portion of the canvas, rendered in soft, hazy blues and greys that evoke atmospheric perspective and reinforce the feeling of vastness.
Several small boats are scattered across the river’s surface, their presence hinting at the citys reliance on water transport and daily life intertwined with the waterway. The figures within these vessels appear diminutive against the scale of the architecture and landscape, emphasizing the grandeur of the setting. A bridge spans the river in the middle ground, connecting the two sides of the urban fabric.
The fortifications visible on the horizon suggest a history of conflict or strategic importance for this location. They are rendered with less detail than the foreground elements, further reinforcing their distance and symbolic role as markers of the city’s past. The artists choice to depict these structures implies an awareness of the citys historical significance beyond its present appearance.
The painting conveys a sense of order and stability; the buildings appear well-maintained, and the river flows smoothly. However, the hazy atmosphere and distant perspective also introduce a subtle melancholy, suggesting the passage of time and the impermanence of human endeavors against the backdrop of natures enduring presence. The work seems to celebrate not just the physical beauty of the city but also its resilience and historical depth.