William Larkin (Manner of) – Lucy Harington
probably 1610s. 211×129
Location: National Museum (Nationalmuseum), Stockholm.
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The subjects clothing immediately conveys status and importance. A rich crimson gown forms the base layer, its deep color contrasting sharply with the intricate white and silver embroidery that adorns it. Over this, she wears a voluminous cloak or mantle lined with fur, further reinforcing her elevated position. The elaborate ruff around her neck is characteristic of the period’s fashion, demonstrating wealth through the sheer quantity of fabric used and the skill required to construct it. A crown rests upon her head, signifying royalty or at least an aspiration towards it.
In her left hand, she holds a feathered fan, while in her right, she grasps a shield bearing what appears to be a heraldic crest. These objects are not merely decorative; they function as symbols of lineage and authority. The presence of the shield suggests a connection to noble ancestry or military prowess, even if the woman herself did not actively participate in warfare. A small table positioned near her left hand supports another fan, adding to the sense of controlled elegance and leisure.
The carpet beneath her feet introduces a pattern that provides visual interest without distracting from the central figure. Its geometric design contrasts with the flowing lines of the garments, creating a dynamic interplay between form and texture.
Subtly, the portrait conveys an image of carefully constructed identity. The rigid posture and formal attire suggest a deliberate presentation of self, designed to project power and lineage. While the expression is not overtly joyful, it possesses a quiet dignity that reinforces this impression. The overall effect is one of restrained grandeur, indicative of a person who understands the importance of appearances and the weight of social expectation.