James Goodwyn Clonney – Waking Up
1851. 27x22”, oil on canvas
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The artist has rendered the scene with a focus on naturalism; the textures of the men’s clothing – the rough wool and worn leather – are meticulously detailed, as is the craggy surface of the rock formation. The landscape itself is expansive, featuring distant hills shrouded in mist and a sky filled with turbulent clouds that suggest an impending change in weather. Light plays across the scene, illuminating parts of the figures and highlighting the waters reflective qualities.
The arrangement of the men suggests a moment of shared camaraderie and relaxation. Their postures convey ease and contentment, hinting at a life lived close to nature. The fishing rod introduces an element of activity, but it is presented in a leisurely manner, more as a pastime than a necessity.
Subtly, the painting explores themes of rural existence and the relationship between humanity and the natural world. The men’s attire and demeanor suggest a working-class background, their connection to the land evident in their relaxed posture and familiarity with the environment. The vastness of the landscape dwarfs the figures, emphasizing both their insignificance within the grand scheme of nature and their dependence on it for sustenance and livelihood.
The overcast sky introduces an undercurrent of melancholy or perhaps a sense of transience, reminding the viewer that even moments of idyllic peace are subject to change. The overall impression is one of quiet contemplation and a celebration of simple pleasures found in a rural setting.