James Goodwyn Clonney – Fishing Party on Long Island
1847. 66x92.7cm, oil on canvas
Location: Thyssen-Bornemisza Museum (El Museo de arte Thyssen-Bornemisza), Madrid.
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The man seated centrally is dressed in formal wear – a tall hat and dark coat – which seems incongruous for a fishing trip, hinting at a performative aspect to the scene. He gazes directly outward, his expression unreadable but suggesting a certain authority or perhaps self-consciousness. To his left, a younger figure, also formally attired, holds what appears to be a fishing rod, though he is not actively engaged in angling. His posture and gaze are directed towards the man in the hat, implying a deferential relationship. The third individual, positioned at the stern of the boat, reclines with his head resting on his arm, seemingly exhausted or indifferent to the activity around him. He wears more casual clothing, suggesting a different social standing or perhaps simply a lack of concern for appearances.
The background reveals a distant shoreline dotted with trees and what might be other boats. The sky is overcast, lending a muted quality to the scene. The water’s surface reflects the colors above, creating a sense of atmospheric perspective.
Beyond the literal depiction of a fishing party, the painting seems to explore themes of social hierarchy and leisure. The formal attire of two figures suggests an attempt to elevate a commonplace activity into something more refined or respectable. The contrast between their posture and that of the reclining man introduces a subtle commentary on class distinctions and varying attitudes towards work and relaxation. It is possible that the artist intended to portray a critique of societal expectations, where even recreational activities are subject to social conventions and displays of status. The overall mood is one of quiet observation, inviting contemplation about the complexities of human behavior within a specific historical context.