Professor CSA Print Yi Ming 048 Yi Ming

The composition presents a tranquil landscape dominated by a large pine tree that occupies much of the upper portion of the frame. Its branches extend outwards and upwards, creating a dense canopy against a hazy background. Below this, a body of water stretches across the middle ground, its surface rendered with subtle washes suggesting depth and stillness. The color palette is restrained, primarily utilizing shades of brown and ochre on aged paper, contributing to an overall sense of antiquity and quietude.
In the foreground, two birds are depicted: one appears to be a duck or goose, facing left, while another smaller bird sits perched at the base of the pine tree. The larger bird’s plumage is detailed with delicate brushstrokes, capturing its texture and form. The positioning of the animals suggests a narrative – perhaps a mother tending to her young, or simply an observation of natural behavior within this secluded environment.
The artist employed a technique that emphasizes line work and tonal variation rather than precise detail. This approach lends a sense of spontaneity and immediacy to the scene. The use of negative space is significant; the emptiness surrounding the figures allows them to breathe and enhances the feeling of solitude.
Subtly, the painting evokes themes of harmony between humanity and nature. The pine tree, often symbolic of longevity and resilience in East Asian art, provides shelter and sustenance for the birds, representing a balanced ecosystem. The aged paper on which the work is rendered suggests a connection to tradition and the passage of time, reinforcing the enduring power of natural beauty. The inscription visible in the upper left corner and along the right edge adds another layer of meaning, likely providing context or commentary related to the scene depicted.