#10996 Rafael Zabaleta

Here we see a drawing executed in a style reminiscent of Art Deco, characterized by its strong lines and geometric patterns. The composition is structured around a central figure – a woman seated on a chair – positioned against a backdrop of elaborate decorative elements.
The female figure dominates the foreground. Her pose suggests a moment of introspection or perhaps slight discomfort; she holds her chest with one hand while her gaze appears directed beyond the viewer, conveying an air of detachment. The rendering is stylized rather than realistic, emphasizing form through bold outlines and tonal contrasts achieved by varying line density.
Behind the woman, the wall is adorned with a complex pattern of geometric shapes – chevrons, zigzags, and stepped motifs – typical of Art Deco design. A framed portrait hangs on this wall, depicting a man in formal attire. The man’s expression is unreadable, his posture suggesting authority or perhaps aloofness. His presence introduces an element of narrative tension; the relationship between him and the woman remains ambiguous, hinting at power dynamics or social commentary.
The floor is patterned with a checkerboard design, further reinforcing the geometric aesthetic. The chair itself is rendered with meticulous detail, its lines echoing the patterns on the wall, creating visual unity within the composition.
The overall effect is one of controlled elegance and subtle unease. The stark contrast between light and shadow contributes to a sense of drama, while the stylized figures and decorative elements suggest a commentary on societal conventions or the complexities of human relationships. The drawing’s aesthetic choices evoke a specific historical period, but its themes – power, observation, and perhaps alienation – remain relevant beyond its stylistic context.