Samuel Dircksz Van Hoogstraten – Virgin and Child with Saint Anne (Anna Selbdritt)
1630. oil on panel, 89×72 cm
Location: Rijksmuseum Twenthe, Enschede.
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The child, seated on the lap of the young woman, appears to be reaching out toward the older figure. The artist has rendered the infant with meticulous detail, emphasizing the softness of his skin and the innocence of his expression. He is dressed in a simple white garment, drawing attention to his vulnerability.
To the left stands the elder woman, her face etched with age and lined with experience. She wears a yellow headscarf and a dark gown, indicative of her status as an older member of the family or community. Her hands are raised towards the child’s face in a gesture that conveys both affection and blessing. The light catches her features, highlighting the wrinkles and conveying a sense of profound wisdom.
The setting is simple – a room with a window, suggesting a domestic space rather than a grand palace. A single candle flickers on a table to the right, adding a touch of warmth and intimacy to the scene.
Subtleties within the painting suggest familial connections and generational continuity. The arrangement of the figures implies a lineage: the older woman likely represents a grandmother figure, while the young woman is her daughter or granddaughter. This intergenerational bond is emphasized by the shared gaze directed towards the child, symbolizing the transmission of values and traditions across generations.
The overall mood is one of quiet contemplation and familial love. The artist has skillfully employed light and shadow to create a sense of depth and emotional resonance, inviting viewers to reflect on themes of motherhood, ancestry, and the enduring power of human connection.