Polyptych Of Saint Augustine Piero della Francesca (1415/17-1492)

The composition presents two distinct figures arranged within arched frames, each set against a backdrop of pale blue sky punctuated by a radiant golden disc. The overall effect is one of solemnity and reverence, characteristic of devotional art.
On the left, we observe an older man with a long, flowing white beard and hair, indicative of wisdom and age. He wears a vibrant red robe that drapes dramatically around his form, suggesting both authority and humility. His gaze is directed downwards towards an open book held in his hands, implying scholarly pursuits and contemplation. A halo encircles his head, signifying sanctity and divine grace. The figure stands upon a rocky outcrop, grounding him within the earthly realm while simultaneously elevating his spiritual status.
The individual on the right contrasts sharply with his counterpart. He is depicted as a stout man wearing a dark brown monastic habit, fastened at the waist with a rope belt. His posture is more assertive; he points upwards with one hand, seemingly gesturing towards a higher power or truth. The book held in his other hand appears less central to his being than it is for the figure on the left. A halo also surrounds his head, mirroring the recognition of holiness. The background behind him features architectural elements – a series of horizontal lines suggesting columns or pilasters – which create a sense of depth and formality.
The color palettes employed in each panel are significant. The red of the first figure’s robe draws attention to him, symbolizing passion, sacrifice, and perhaps martyrdom. Conversely, the dark tones of the second figures habit convey austerity, discipline, and dedication to religious life.
Subtly, the differing gestures and attire suggest contrasting approaches to faith – one emphasizing intellectual study and introspection, the other highlighting active proclamation and adherence to a specific order. The shared presence of halos and the similar framing devices underscore their equal status as figures worthy of veneration, despite their divergent paths. The golden discs in the background serve not only as light sources but also as symbolic representations of divine illumination, bathing both men in an ethereal glow.