Kunsthistorisches Museum – Mattia Preti (1613-1699) -- Calling of Matthew
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Here we see a scene unfolding in what appears to be a tavern or similar public setting. Several men are engaged in counting coins scattered across a tabletop. One man, sharply defined by the light, points towards another seated at the table. This gesture seems pivotal, initiating a moment of profound significance for the individual being indicated. His expression is one of surprise and perhaps apprehension; he appears to be interrupted from his activity, his hand frozen mid-action.
The figures surrounding the central pair display a range of reactions. Some observe with curiosity or intrigue, while others seem more detached, their faces partially obscured by shadow. A woman stands nearby, her gaze fixed on the man who has been singled out. She holds a rosary in her hand, suggesting a spiritual dimension to the unfolding events. A young boy sits at her side, mirroring her posture and seemingly absorbing the gravity of the situation.
The artist’s use of color is restrained but effective. The warm tones of the mens clothing – yellows, browns, and reds – contrast with the cooler hues of their skin, further emphasizing the dramatic lighting. The dark background serves to isolate the figures and heighten the sense of immediacy.
Subtleties within the scene suggest a narrative beyond the immediate visual elements. The coins represent worldly possessions and material wealth, which are abruptly confronted by an unseen force – implied by the pointing gesture and the man’s startled expression. This juxtaposition hints at a spiritual calling or divine intervention that disrupts the ordinary course of life. The presence of the rosary reinforces this interpretation, suggesting a connection to faith and redemption. The overall effect is one of profound psychological tension and impending transformation.