Christian Krohg – Sick Girl
1880-1.
Location: National Gallery (Nasjonalgalleriet, Nasjonalmuseet for kunst, arkitektur og design), Oslo.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Here we see a deliberate use of light; it illuminates the girl’s face and upper body, highlighting the pallor of her skin and emphasizing the large, somewhat vacant eyes. This illumination contrasts sharply with the shadows enveloping the lower portion of her form and the chair itself, contributing to an atmosphere of quiet melancholy. The artist has rendered the details of her clothing – a white blouse with a red-striped band at the waist and a long, flowing gown – with meticulous care, yet these elements do not distract from the overall impression of vulnerability.
In her hands, she holds a single pink rose, its petals scattered around her lap and onto the chair’s surface. The presence of this flower introduces an element of delicate beauty amidst the somber mood. It could be interpreted as a symbol of lost innocence, fleeting joy, or perhaps a fragile hope in the face of adversity.
The girls expression is difficult to read definitively; it isnt overtly sorrowful but rather marked by a quiet resignation and a certain detachment from her surroundings. This lack of overt emotional display suggests an internal struggle or a profound sense of acceptance. The overall effect is one of poignant stillness, evoking themes of illness, loss, and the ephemeral nature of life. The painting’s subtexts revolve around the complexities of suffering – not just physical discomfort but also the psychological toll it takes on both the individual and those who witness it.