Color shapes, 1914, Watercolor on paper, Barnes foundat Paul Klee (1879-1940)

The watercolor presents a complex arrangement of geometric forms rendered in a vibrant palette. Here we observe a composition dominated by triangles, rectangles, and circular shapes that interlock and overlap, creating a sense of dynamic spatial relationships. The color scheme is notable for its interplay between cool blues and greens and warmer tones of orange, yellow, and red. These hues are not blended smoothly; instead, they retain distinct boundaries, contributing to the fragmented quality of the overall design.
The artist employed a technique that emphasizes transparency and layering. Washes of color appear to float over one another, allowing underlying shapes to peek through and generating an impression of depth despite the lack of traditional perspective cues. The edges of many forms are not sharply defined but rather softened or blurred, further contributing to this sense of visual ambiguity.
The arrangement seems deliberately non-representational; there is no discernible subject matter in a conventional sense. However, the shapes evoke associations with natural phenomena – perhaps abstracted landscapes or celestial bodies. The circular elements could be interpreted as suns or moons, while the angular forms might suggest mountains or architectural structures.
A subtext of experimentation and exploration appears to underpin the work. It suggests an interest in pushing beyond established artistic conventions and investigating the potential of color and form to create a purely visual experience. The deliberate lack of narrative content encourages viewers to engage with the painting on a purely sensory level, focusing on the interplay of colors and shapes rather than seeking symbolic meaning.
The paper itself is visible around the edges, adding another layer of texture and context. This inclusion of the support medium reinforces the sense that this is not a finished product but rather an exploration in process – a study or preliminary sketch where the artist is actively engaged with materials and techniques.