часть 5 -- European art Европейская живопись – Wilfred Gabriel De Glehn Wormingford Mill Pond 16498 1184
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The water surface reflects the sky and surrounding vegetation, blurring the distinction between reality and its mirrored image. This effect is achieved through short, broken brushstrokes that suggest movement and shimmering light. The pond extends into the middle ground, where it widens to reveal distant fields and a hazy horizon line. A low stone wall runs along the edge of the water, partially obscured by vegetation, adding depth and visual interest to the composition.
The overall impression is one of quiet contemplation and harmony with nature. The light appears soft and diffused, suggesting either early morning or late afternoon. Theres an absence of human presence; the scene feels untouched and timeless. This lack of overt narrative invites a meditative response from the viewer, encouraging them to appreciate the beauty of the natural world.
The artist’s technique – the visible brushwork and emphasis on capturing fleeting effects of light – suggests an interest in conveying sensory experience rather than precise representation. The composition is not rigidly structured; instead, it feels organic and spontaneous, as if the scene were captured directly from observation. This contributes to a sense of immediacy and authenticity.