часть 5 -- European art Европейская живопись – Samuel John Peploe Cassis 28513 20
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Here we see a deliberate simplification of architectural forms; windows are reduced to rectangular blocks, doors become mere vertical slashes, and roofs are flattened planes. This reduction contributes to an overall sense of abstraction, moving beyond a purely representational depiction towards a focus on color and form. The brushwork is visible throughout, with thick impasto applied in short, energetic strokes that create texture and vibrancy.
The light source seems to originate from the upper right, bathing the buildings in a warm glow while casting deep shadows along the left side of the street. This creates a strong contrast between illuminated and shaded areas, adding visual interest and depth. The sky is rendered as a broad expanse of blue, punctuated by strokes of white that suggest clouds or atmospheric haze.
The ground plane, viewed from above, appears uneven and textured, with patches of shadow suggesting dampness or pooled water. A small patch of green vegetation is visible near the foreground, providing a touch of natural color amidst the predominantly built environment.
Subtly, theres an impression of stillness and quietude. The absence of figures or any overt signs of human activity contributes to this atmosphere. The scene feels observed rather than experienced, suggesting a moment captured in time. The composition’s emphasis on geometric shapes and vibrant color suggests a celebration of the visual qualities inherent in the urban landscape, prioritizing aesthetic impact over photographic realism.