Pietro Perugino – Mary Magdalen
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The subject’s features are rendered with meticulous detail, characteristic of Renaissance portraiture. Her skin possesses a luminous quality achieved through subtle gradations of tone, creating a soft, almost ethereal appearance. The eyes, particularly, command attention; their expression is complex – a blend of melancholy, contemplation, and perhaps even a hint of resignation. The mouth is delicately formed, the lips slightly parted as if in mid-speech or thought.
She wears a dark gown with wide straps, revealing her shoulders and upper chest. A fur collar frames the neckline, adding a touch of opulence to the attire. Her hands are clasped gently before her, positioned low in the frame; this gesture conveys humility and restraint. Above her head, a faint halo is visible, suggesting a spiritual or elevated status.
The color palette is restrained, dominated by earthy tones – browns, reds, and ochres – which contribute to the painting’s somber mood. The limited range of colors focuses attention on the subjects face and expression.
Subtleties within the work suggest layers of meaning beyond a simple likeness. The lack of overt ornamentation or jewelry implies a rejection of worldly possessions, aligning with themes of repentance and spiritual devotion often associated with figures undergoing transformation. The direct gaze challenges conventional notions of female representation in portraiture, suggesting an inner strength and agency that transcends passive observation. The ambiguous expression invites multiple interpretations; is it sorrow, acceptance, or perhaps a quiet understanding? This deliberate ambiguity fosters a sense of psychological depth, encouraging prolonged engagement from the viewer.