Charles Towne – Three Horses in a Stormy Landscape
1836. 46×64
Location: Yale Center for British Art, Paul Mellon Collection, New Haven.
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The central horse, a pale cream color, appears to be the focal point. It’s positioned slightly forward, its head lowered as if investigating or reacting to something unseen. To its left stands a chestnut-colored horse, its posture suggesting apprehension or resistance; it seems to pull back from the group. On the right, a dark bay horse is depicted in motion, its head raised and neck arched, conveying a sense of urgency or perhaps defiance against the impending storm.
The sky above is rendered with considerable expressive force. Swirling clouds, painted in shades of grey, pink, and blue, create an atmosphere of instability and foreboding. The light filtering through the cloud cover is uneven, casting dramatic shadows across the landscape and highlighting certain areas while leaving others in relative darkness. This interplay of light and shadow contributes to a feeling of emotional intensity.
The artist’s brushwork appears loose and energetic, particularly evident in the depiction of the sky and the horses manes and tails. The texture of the paint is visible, adding to the overall sense of movement and vitality.
Subtextually, the painting seems to explore themes of resilience and vulnerability within a harsh natural environment. The horses’ reactions – the central horse’s cautiousness, the chestnut horse’s reluctance, and the bay horses spirited response – could be interpreted as symbolic representations of different approaches to adversity. The stormy sky serves not merely as a backdrop but as an active force shaping the scene, suggesting the overwhelming power of nature and the precariousness of existence. There is a sense of struggle implied, though without explicit narrative; it’s left to the viewer to interpret the horses interaction within this context.