Antonello da Messina – Madonna and Child
1480. (And Jacobello di Messina)
Location: Academy Carrara (Accademia Carrara), Bergamo.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The setting is structured around architectural elements – pillars that frame a landscape visible in the background. This backdrop, rendered with muted greens and blues, suggests a distant, idealized countryside, contributing to the sense of serenity and otherworldliness surrounding the figures. The woman’s garments are richly colored; a deep blue mantle drapes over a vibrant red underdress, creating visual contrast and emphasizing her importance within the scene.
In her left hand, she holds a transparent vessel – likely intended to represent purity or divine grace – while the child reaches out towards it. This gesture introduces an element of offering or sustenance, hinting at themes of nurturing and spiritual provision. The lower portion of the painting is dominated by a dark surface, which serves as a visual anchor and draws attention upwards toward the figures. A small book rests on this surface, potentially symbolizing knowledge or faith.
The overall effect is one of quiet dignity and profound tenderness. While the woman’s expression carries a hint of sadness, it also conveys an underlying strength and acceptance. The compositions balance and symmetry contribute to its sense of harmony, while the subtle details – the delicate folds of fabric, the nuanced expressions on the faces – invite prolonged contemplation. The painting seems designed not merely as a representation but as a conduit for spiritual reflection, encouraging viewers to engage with themes of motherhood, faith, and divine grace.