Tate Britain – British School 17th century - The Cholmondeley Ladies
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The womens clothing is characteristic of the period, featuring elaborate white linen collars known as falling bands, intricately embroidered bodices, and long sleeves gathered at the wrists. The falling bands, in particular, dominate the upper portion of the image, creating a visual symmetry while also emphasizing their status and wealth. The red drapery beneath them provides a striking contrast to the pale hues of their garments, further highlighting their presence.
The infants held by each woman are rendered with a degree of realism that contrasts with the somewhat stylized depiction of the mothers. Their faces are visible within the swaddling cloths, displaying expressions that seem less controlled than those of the women holding them. This detail introduces an element of vulnerability and perhaps even a subtle commentary on the fragility of infancy.
The painting’s subtexts likely revolve around themes of motherhood, lineage, and social standing. The duplication of figures suggests a deliberate emphasis on continuity and inheritance – a visual representation of familial bonds and the perpetuation of a dynasty. The formality of their poses and attire reinforces their position within the upper echelons of society.
The artist’s choice to depict the women in such a symmetrical arrangement, coupled with the dark background, creates an atmosphere of solemnity and grandeur. It is possible that this work served as a visual record of familial identity, intended for display within a domestic setting as a testament to lineage and social importance. The overall effect is one of restrained elegance and carefully constructed symbolism, indicative of a society preoccupied with notions of propriety and inherited status.