Arthur Bowen Davies – Listening Valleys Hear
~1907. 36×44 cm
Location: Art Institute, Chicago.
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Here we see three female forms positioned close together, their bodies forming a loose circle. Each figure adopts a distinct posture of attentive listening. One raises her hands to her ears, another places one hand near her head while the other extends outward, as if cupping sound, and the third leans forward with her hands also raised towards her face. The poses convey an intense focus on something beyond the visible realm.
The figures are not sharply defined; their forms seem to emerge from and blend into the surrounding darkness. This lack of precise detail contributes to a sense of mystery and ambiguity. They appear less as individual characters and more as embodiments of a collective experience – a shared receptivity to an unseen force or narrative. The lighting, originating from behind the figures, further obscures their features while highlighting the contours of their bodies, creating a dramatic interplay between light and shadow.
The setting itself is significant. The dense foliage suggests enclosure, isolation, and perhaps even a primal connection to nature. It implies that the listening occurs within a space removed from everyday life, a sanctuary where one might be receptive to subtle or hidden messages.
Subtexts within this work revolve around themes of perception, communication, and the relationship between humanity and the natural world. The act of listening is elevated to a central focus, suggesting an importance placed on intuition, empathy, and the reception of unspoken truths. It could also be interpreted as a commentary on the power of collective consciousness or the search for meaning in a complex environment. The figures’ vulnerability, exposed within this shadowed landscape, hints at a willingness to confront something potentially unsettling or profound.