George Stubbs – Lion and Lioness
1770. 24×28
Location: Yale Center for British Art, Paul Mellon Collection, New Haven.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The female lion exhibits a snarling expression; her mouth is open, revealing teeth, and her body language conveys defensiveness or aggression. The artist has rendered her musculature with considerable detail, emphasizing the power and potential for retaliation inherent in her form.
The surrounding environment contributes significantly to the overall mood. A dark, rocky outcrop dominates the upper portion of the frame, while a scattering of foliage occupies the lower left corner. These elements create a sense of enclosure and heighten the drama of the encounter. The background is rendered as an almost impenetrable blackness, punctuated by faint pinpricks of light that evoke a starry night sky. This stark contrast between darkness and the illuminated lions intensifies their presence and isolates them within the scene.
Beyond the immediate depiction of a territorial dispute or dominance display, the painting invites contemplation on themes of power dynamics, primal instincts, and the complexities of relationships. The male lion’s imposing stature and assertive posture could be interpreted as representing authority or control, while the females defiant stance suggests resilience and an unwillingness to submit. The darkness enveloping them might symbolize hidden emotions, unresolved conflicts, or the inherent uncertainties within these interactions. Ultimately, the work explores a moment of tension, leaving the viewer to ponder the potential consequences of this confrontation.