Metropolitan Museum: part 3 – Thomas Fearnley - Sunset, Sorrento
Thomas Fearnley: Norwegian, Frederikshald 1802–1842 Munich 1834; Oil on paper, laid down on card; 5 3/4 x 10 1/8 in. (14.6 x 25.7 cm)
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The most striking element is undoubtedly the sky. Here we see an intense interplay of light and shadow, achieved through vigorous application of paint. Fiery orange and yellow hues emanate from the setting sun, which itself is partially obscured by cloud cover. These warm tones are juxtaposed with cooler shades of grey and blue within the clouds, creating a palpable sense of atmospheric turbulence. The artist employed visible brushwork to convey movement and energy; the strokes appear almost frantic in their application, particularly in the upper portion of the sky.
The overall effect is one of sublime grandeur tinged with melancholy. While the sunset offers visual splendor, its partial obscuration hints at a transient beauty – a moment destined to pass. The dark water below mirrors this sense of underlying somberness, suggesting an emotional depth beyond mere picturesque representation. There’s a feeling of vastness and isolation evoked by the expanse of sea and sky, prompting contemplation on themes of natures power and human insignificance within it.
The limited palette – primarily yellows, oranges, blues, and greys – contributes to the painting’s emotional intensity. The lack of detail in the foreground further directs attention towards the dramatic spectacle unfolding above, reinforcing the feeling of awe and wonder. It is a scene that captures not just a visual moment but also an emotional state – a poignant reflection on beauty, loss, and the passage of time.