Metropolitan Museum: part 3 – Franz Ludwig Catel - Virgil’s Tomb, Naples
Franz Ludwig Catel: German, Berlin 1778–1856 Rome ca. 1818–20; Oil on paper, laid down on canvas; 12 x 8 3/4 in. (30.5 x 22.2 cm)
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Beyond this rocky frame, a sprawling town unfolds across a hillside. Buildings appear densely packed, suggesting a long history of settlement and development. A prominent structure, likely a fortress or significant public building, crowns the highest point of the hill, drawing the eye upward and establishing a visual hierarchy within the cityscape. The atmospheric perspective employed diminishes the clarity of details in the distance, lending an air of mystery to the town and emphasizing its remoteness.
The overall effect is one of melancholic contemplation. The framing rocks suggest a sense of isolation or confinement, hinting at themes of loss or remembrance. The distant city, viewed through this natural aperture, evokes a feeling of nostalgia for a bygone era – a place both familiar and inaccessible. The subdued palette reinforces the somber mood, while the careful arrangement of elements creates a balanced yet poignant composition. There is an intentionality in how the artist has positioned the viewer; we are not simply observing a landscape but participating in a moment of reflection upon history and times passage.