Metropolitan Museum: part 3 – Johan Barthold Jongkind - Honfleur
Johan Barthold Jongkind: Dutch, Latrop 1819–1891 La-Côte-Saint-André 1865; Oil on canvas; 20 1/2 x 32 1/8 in. (52.1 x 81.6 cm)
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The water itself is rendered with loose brushstrokes, reflecting the ambient light and creating a shimmering effect that suggests movement and depth. The surface isnt depicted as still but rather as subtly animated by unseen currents or gentle breezes.
Beyond the immediate foreground of the vessels, a townscape rises along the horizon line. Buildings are suggested through indistinct shapes and muted tones, their details largely obscured by distance and atmospheric haze. A single spire punctuates the skyline, offering a vertical counterpoint to the horizontal expanse of water and buildings. The architecture appears typical of a coastal European settlement, with tightly packed structures indicative of historical development.
The color palette is restrained, dominated by cool grays, blues, and greens, punctuated by warmer tones in the reflections on the water’s surface and within the townscape. This limited range contributes to a sense of quietude and tranquility. The artists technique emphasizes atmospheric perspective; objects recede into the distance through a gradual softening of detail and a reduction in color saturation.
Subtly, there is an implication of human activity – figures are discernible on board the ships and along the shoreline, though they remain small and indistinct within the overall composition. These individuals suggest a working harbor, a place of commerce and daily life, yet their anonymity reinforces the painting’s focus on the environment itself rather than individual narratives. The scene evokes a sense of nostalgia or longing for a simpler time, perhaps reflecting an idealized view of coastal living and maritime tradition.