Peter Driben – drib 108
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The woman’s attire consists of a simple, yet elegant, dress in a similar shade of pink as the seating area. It clings loosely to her figure, hinting at curves without revealing too much. She holds a small hand mirror, examining her reflection with an expression that blends amusement and self-awareness. Her dark hair is styled in waves, framing a face characterized by carefully applied makeup – defined eyebrows, accentuated lips, and subtly highlighted cheekbones.
The background is a flat plane of yellow, which serves to isolate the figure and direct the viewer’s gaze towards her. Text elements are present: a bold title at the upper left corner and a phrase positioned lower right. The typography is characteristic of mid-century advertising, contributing to the overall aesthetic.
Subtexts within this work revolve around notions of femininity, beauty, and consumerism. The womans pose and expression suggest an idealized image of female desirability – a figure both approachable and slightly unattainable. Her preoccupation with her appearance underscores a societal emphasis on physical attractiveness. The presence of the magazine title and price tag firmly places the artwork within a commercial context, highlighting its function as a promotional tool designed to entice readers. The phrase Merry Mirthful Maidens reinforces this playful, lighthearted tone, suggesting an escapist fantasy for the consumer. Overall, the work encapsulates a specific cultural moment – one defined by post-war optimism and a burgeoning consumer culture that celebrated idealized representations of beauty and leisure.