WMS Cendrillon 01 Roberto Innocenti

The composition presents a vertical arrangement centered around a well or fountain. A young woman is shown drawing water from a brass spout positioned above a stone basin. She wears simple attire: a dark bodice, a long skirt, and a headscarf that partially obscures her hair. Her posture suggests diligence and perhaps resignation; she leans forward intently on the task at hand.
Below, reflected in the still water of the basin, appears another figure. This second woman is depicted in a state of repose, reclining with an air of grace and elegance. She wears a flowing white garment and her hair is styled elaborately. Her expression is serene, almost detached from the labor taking place above. The reflection’s hand reaches upwards, as if attempting to connect with the figure drawing water, yet remains separated by the surface of the water.
The setting itself contributes significantly to the paintings narrative. The rough-hewn stone walls enclosing the well suggest a humble and perhaps isolated location. A basket filled with laundry sits nearby, reinforcing the impression of domestic servitude. The light source appears to be coming from above, illuminating the working woman while casting the reflected figure in a softer glow.
The subtext here revolves around duality and transformation. The contrast between the active, laboring woman and her idealized reflection speaks to themes of identity, aspiration, and hidden potential. It implies a yearning for something beyond ones current circumstances – a desire for beauty, freedom, or recognition. The water itself acts as a symbolic boundary, separating these two aspects of the same individual, while simultaneously suggesting the possibility of transcendence or metamorphosis. The painting evokes a sense of melancholy and quiet longing, hinting at an underlying narrative of suppressed dreams and the potential for change.