Alan Davie Goddess of the Green European art; part 1

The canvas presents a dense arrangement of forms against a dominant green background. The color itself is not uniform; it shifts between shades of viridian and olive, applied with visible brushstrokes that contribute to a textured surface. This backdrop serves as the stage for an assemblage of abstract shapes, seemingly suspended in space.
Several distinct elements emerge from this composition. A tall, elongated form on the left side commands attention. It is rendered primarily in white, but punctuated by streaks and patches of orange and red, suggesting a dynamic interplay of light and shadow or perhaps internal energy. This figure appears to be partially dissolving into the background, with drips of paint extending downwards, further emphasizing its instability.
To the right, a series of geometric shapes are clustered together. A bright yellow form, resembling an elongated arc or crescent, dominates this grouping. It is surrounded by angular blocks and cubes, some painted in white with black markings that evoke primitive symbols or hieroglyphs. These markings introduce a sense of mystery and potential narrative, though their meaning remains elusive.
A dark circular shape floats near the upper right corner, providing a visual counterpoint to the lighter tones elsewhere. Its placement suggests a deliberate balance within the overall composition. The artist’s handling of paint is expressive; lines are bold and gestural, conveying a sense of spontaneity and immediacy. Theres an intentional lack of precise definition in many areas, allowing for ambiguity and multiple interpretations.
The work seems to explore themes of transformation and fragmentation. The dissolving figure suggests decay or metamorphosis, while the geometric shapes might represent constructed realities or symbolic representations. The overall effect is one of controlled chaos – a deliberate arrangement that resists easy categorization. It evokes a sense of ritualistic significance, hinting at an underlying mythology without explicitly depicting it. The painting’s power lies in its ability to stimulate imaginative responses and invite viewers to construct their own narratives from the abstract elements presented.