BELISARIO CORENZIO The Assumption of the Virgin 11339 172 European art; part 1

Here we observe a preparatory drawing executed in black chalk and wash on paper. The composition is vertically oriented and structured around a central ascension motif. A figure, presumably female given the drapery and posture, rises towards the upper portion of the sheet. She holds an infant close to her chest, suggesting a maternal connection.
The artist has positioned this central figure within a circular halo, which serves to isolate and elevate her from the surrounding space. Surrounding her are numerous figures – likely angels or putti – rendered with varying degrees of detail. These smaller figures appear to be in motion, swirling around the ascending woman, their forms sketched with energetic lines that convey a sense of dynamism and ethereal movement. Several hold branches adorned with leaves, possibly symbolizing victory or peace.
Below this elevated scene is a group of kneeling individuals. Their faces are rendered with more pronounced shading, creating a contrast between them and the lighter tones used for the figures above. The arrangement suggests reverence and supplication; they appear to be witnessing the event unfolding overhead. A small structure, perhaps an altar or platform, sits before these kneeling figures, further emphasizing their role as observers.
The drawing’s use of chalk and wash creates a tonal range that contributes to the overall atmosphere. The lighter washes suggest luminosity and divine presence, while the darker chalk lines define form and create depth. The artist has employed hatching and cross-hatching techniques to model the figures and add texture to their garments.
Subtly, the drawing conveys themes of ascension, divinity, and human devotion. The upward movement is a key element, suggesting spiritual elevation or transcendence. The kneeling figures below underscore the concept of faith and reverence in the face of something perceived as sacred. The overall effect is one of solemnity and awe, characteristic of depictions of religious events.