Sdacha goroda i kreposti Karsa 16 noiabria 1855 go goda Russian folk splints

The drawing presents a scene of surrender, likely depicting a military event involving Russian forces and a fortified city. The composition is dominated by a procession moving towards imposing fortifications in the background. These structures are characterized by multiple towers topped with flags bearing what appears to be a cross, suggesting a Christian affiliation or dominion.
In the foreground, a group of individuals on horseback leads the way. They are dressed in elaborate military attire, indicative of high rank and authority within the Russian army. The central figure, riding a richly adorned horse, is likely intended to represent a key commander overseeing the proceedings. Surrounding him are other officers and soldiers, some mounted and others on foot, all seemingly participating in the ceremonial handover.
The figures approaching the city gates appear subdued or resigned, their posture suggesting defeat rather than triumph. They carry flags of surrender, further reinforcing the narrative of capitulation. The crowd assembled within the city walls is difficult to discern clearly due to the distance, but they seem to be observing the event with a mixture of apprehension and perhaps relief.
The artist has employed a limited color palette, primarily consisting of blacks, whites, and grays, which contributes to the somber tone of the scene. The detailed rendering of uniforms and weaponry emphasizes the military nature of the event, while the architectural depiction of the city provides context for the surrenders significance.
Beneath the image, Cyrillic text offers additional information about the depicted event, including dates and names, which would provide a more complete understanding of its historical context. The overall impression is one of a formal military handover, meticulously documented to commemorate a specific moment in history – a victory for Russia and a loss for the defenders of Kars.