Chem ia tebia ogorchila Russian folk splints

The series of four prints presents a narrative sequence through distinct scenes, rendered in a style reminiscent of late 19th-century satirical illustrations. The monochrome palette emphasizes the starkness and gravity of the depicted events.
In the initial scene, we observe a man, dressed in somewhat antiquated attire, seemingly attempting to prevent a younger individual from descending a precarious wooden structure. A rope is visible, suggesting an element of playful risk or perhaps a more serious attempt at restraint. The setting appears to be a rural environment with a modest dwelling in the background. The text accompanying this image hints at a sense of loss and regret associated with the actions unfolding.
The second print shifts the focus to a chaotic scene outside a simple wooden house. A figure lies prone on the ground, surrounded by scattered objects – what appear to be tools or household items. Another individual stands over them, gesturing dramatically. The overall impression is one of distress and potential injury. The accompanying text reinforces this sense of tragedy, speaking of a broken soul and separation.
The third scene depicts an older man standing in front of a doorway adorned with a sign reading RASTAVILISH. He appears to be addressing someone just out of frame, his posture conveying a mixture of sorrow and resignation. A young person is visible through the doorway, seemingly departing. The text suggests a lament for lost spaces and cherished memories.
The final print shows two men engaged in conversation within an interior space. One man gestures emphatically towards a large, ornate mirror that dominates the background. The other listens intently. Theres a sense of disillusionment or disappointment conveyed through their expressions and body language. The text accompanying this image speaks of emptiness and unfulfilled expectations.
Subtextually, the series seems to explore themes of generational conflict, loss, regret, and the passage of time. The rural setting and antiquated clothing suggest a commentary on tradition versus modernity, perhaps hinting at the disruption of established ways of life. The recurring motif of departure – whether physical or emotional – underscores a sense of irreversible change and the pain associated with letting go. The mirror in the final scene could symbolize self-reflection and the realization that appearances can be deceiving, adding another layer to the narratives complexity.