Russian folk splints – Sdacha goroda i kreposti Karsa 16 go noiabria 1855 go goda
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In the foreground, a group of figures on horseback are prominently displayed. These individuals appear to represent the victorious Russian forces, judging by their uniforms and posture. They are positioned closer to the viewer, emphasizing their role as the dominant power in this encounter. The horses themselves are rendered with considerable detail, contributing to the overall sense of grandeur and authority.
Beneath the mounted figures, a procession of individuals on foot moves towards the city gates. These appear to be representatives of the defeated population or garrison, presumably surrendering control of the city. Their attire is less elaborate than that of the Russian officers, reinforcing the power dynamic at play. The posture of these figures conveys a sense of resignation and defeat.
The color palette employed is vibrant but somewhat muted, with strong contrasts between the warm tones of the foreground figures and the cooler hues of the cityscape. This contrast draws attention to the central action while simultaneously establishing a visual separation between the victors and the vanquished.
A notable element is the inclusion of text at the bottom of the image. The Cyrillic script provides contextual information, identifying the event as The Surrender of the City and Fortress of Kars, November 16th, 1855. This inscription anchors the scene within a specific historical context – the Crimean War – and clarifies its significance as a representation of Russian military success.
Beyond the literal depiction of surrender, the image carries subtexts related to imperial power and territorial expansion. The scale of the city, the elaborate fortifications, and the display of Russian military might all contribute to an impression of overwhelming force and dominance. The scene serves not only as a record of a historical event but also as a visual assertion of Russian authority in the region.