Vino zleishii vrag chelovechestva Russian folk splints

The composition presents a densely populated scene dominated by a colossal figure emerging from a subterranean opening. This central figure, clearly intended as allegorical, is depicted as a demonic entity with fish-like features and outstretched arms, holding what appears to be barrels or containers labeled Zavod (Factory). The scale of this being dwarfs the human figures populating the foreground and background, immediately establishing a hierarchy that positions it as an overwhelming force.
The landscape itself is complex. A rocky outcrop rises on one side, while a cluster of buildings – likely representing a town or settlement – is visible in the distance. Numerous individuals are scattered throughout the scene, engaged in various activities: some appear to be suffering from illness or distress, others seem to be celebrating or oblivious to the looming presence of the demonic figure. A group is shown entering and exiting the subterranean opening from which the giant emerges, suggesting a connection between this entity and industrial production.
The surrounding text, printed densely around the image, provides contextual clues but remains largely illegible without transliteration. However, its sheer volume suggests that it serves as an explanatory or didactic element, likely elaborating on the allegorical meaning of the scene. The presence of these texts reinforces the idea that this is not merely a visual representation, but a piece of persuasive communication intended to convey a specific message.
Subtly, the artist seems to be commenting on the perceived dangers associated with industrialization and alcohol consumption. The demonic figure, linked to a factory setting, could symbolize the destructive consequences of unchecked industrial growth or the corrupting influence of alcohol production. The suffering individuals in the foreground might represent those negatively impacted by these forces – perhaps victims of poverty, disease, or moral decline. The celebratory group, seemingly unaware of the looming threat, may be intended as a critique of societal complacency and denial.
The overall effect is one of social commentary delivered through allegorical imagery. The artist utilizes scale, symbolism, and detailed depiction to create a powerful visual statement about the potential harms associated with industrial progress and substance abuse within a specific cultural context.