Otrazhenie 4 kh anglo frantsuzskikh parokhodov na Ochakovskom Myse Chernogo Moria 22 go sentiabria 1854 go goda Russian folk splints

The composition presents a maritime scene dominated by four large steamships anchored in a harbor setting. The artist positioned himself at a vantage point overlooking the water, allowing for a broad view of the vessels and the surrounding landscape. A rocky promontory, presumably Ochakovskiy Mys (Ochakiv Cape), juts into the sea on the right side of the frame, populated by several figures observing the ships.
The steamships themselves are rendered with considerable detail, showcasing their industrial design – evident in the prominent smokestacks and visible machinery. Their presence signifies a shift towards modern naval technology during this period. The artist meticulously depicted the reflections of these vessels on the waters surface, adding depth and realism to the scene.
On the promontory, figures are arranged in a hierarchical manner. A man dressed in what appears to be military or official attire stands slightly elevated, seemingly directing operations or observing the proceedings. Other individuals, likely civilians, are clustered around him, their postures suggesting curiosity and perhaps awe at the sight of these powerful machines. The inclusion of these human elements provides scale and context, emphasizing the impact of this new technology on society.
The overall tone is one of observation and documentation rather than overt emotional expression. The artist’s focus appears to be on recording a specific historical moment – the arrival or presence of foreign steamships in a Black Sea port. This suggests a potential subtext related to geopolitical tensions, perhaps reflecting anxieties about naval power and international relations during the Crimean War (1853-1856).
The extensive text accompanying the image further reinforces this documentary purpose. The inscription provides details about the date, location, and types of ships depicted, transforming the visual representation into a historical record. This textual element is integral to understanding the work’s intended function – not merely as an artistic creation but as a form of communication and documentation for a contemporary audience.