William Hogarth – Marriage A-la-Mode 2: The Tête à Tête
1743.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
A gentleman, dressed in formal attire, stands nearby, seemingly attempting to dismiss her concerns with a theatrical wave of his hand. His gesture suggests an indifference that borders on condescension, reinforcing the impression of a power imbalance within the relationship. He is positioned near a collection of framed portraits lining the wall, which could be interpreted as symbols of lineage and societal expectations – a visual reminder of the constraints placed upon individuals within this social structure.
Another man occupies a chair in the foreground, his posture relaxed yet his gaze fixed on the woman at the table. His attire, with its elaborate lace and embroidered details, indicates a certain flamboyance and perhaps a disregard for conventional propriety. Scattered across the floor are playing cards and sheet music, hinting at leisure activities that offer an escape from the seriousness of the moment. The presence of these items contributes to a sense of frivolity juxtaposed against the woman’s evident unhappiness.
The composition is carefully arranged to draw attention to the interactions between the figures. The placement of the fireplace, adorned with busts and decorative objects, serves as a backdrop for the central drama, emphasizing the formality and grandeur of the setting. The overall effect is one of satirical commentary on marriage and social conventions within an aristocratic milieu. The artist seems to be exploring themes of dissatisfaction, superficiality, and the constraints imposed by societal expectations, all while maintaining a veneer of polite decorum.