Part 3 Prado Museum – Ribera, José de -- La Inmaculada Concepción
Primera mitad del siglo XVII, 220 cm x 160 cm, Lienzo, Óleo.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Surrounding this central figure are several cherubic figures, their expressions conveying adoration and wonder. They appear to be actively supporting or guiding her ascent with outstretched hands and wings, reinforcing the notion of divine assistance. The placement of these angels is not uniform; some cluster closely around the ascending figure while others are more distant, creating a sense of depth within the composition.
Below, at the base of the scene, lies a landscape rendered in muted tones. A small town or settlement is visible on the horizon, suggesting a connection between the celestial realm and earthly existence. The inclusion of vegetation – flowers and palm trees – adds a touch of natural beauty to this lower portion of the painting.
The use of light and shadow is particularly noteworthy. Strong chiaroscuro effects highlight the figure’s form and create a dramatic sense of movement, while also contributing to the overall spiritual atmosphere. The blue mantle stands out against the lighter tones of her clothing and the golden background, drawing attention to its symbolic significance – perhaps representing divine grace or protection.
The painting conveys themes of ascension, purity, and divine intervention. The subtext suggests a narrative of elevation beyond earthly concerns, facilitated by supernatural forces and marked by profound spiritual devotion. The landscape below serves as a reminder of the world left behind, while the celestial realm above represents an ultimate destination of grace and transcendence.