Part 3 Prado Museum – Madrazo y Agudo, José de -- Autorretrato
1840, 73,5 cm x 56 cm, Papel, Óleo.
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The man’s expression is serious, almost austere. Theres an impression of quiet contemplation or perhaps even melancholy conveyed through the subtle downturn of his mouth and the slight furrowing of his brow. His hair, receding from the forehead, is neatly combed and appears graying, suggesting a certain maturity and experience.
He wears formal attire: a dark coat with a fur-lined collar over a white shirt and cravat. The meticulous detail in rendering the fabric textures – the sheen of the coat, the crispness of the linen – indicates an attention to realism and a desire to portray himself as someone of status and refinement.
Crucially, he holds a paintbrush in his left hand and rests a painters palette on his lap. These elements are not merely decorative; they serve as direct indicators of his profession. The presence of the tools of his trade suggests an artist engaged in his craft, inviting the viewer to consider this work as a self-representation within that context.
The overall effect is one of dignified introspection. The composition and lighting contribute to a sense of solemnity, while the inclusion of artistic implements provides insight into the subject’s identity and occupation. Theres an underlying subtext of professional pride and perhaps a desire for recognition or legacy – a silent declaration of his place within the world of art.