Part 3 Prado Museum – Joli, Antonio -- Abdicación de Carlos III
1759, 76,5 cm x 125,7 cm, Lienzo, Lienzo. Antonio Joli
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
At the center of the canvas, two figures are positioned on an elevated platform, demarcated by heavy red drapery. One appears older, dressed in elaborate robes and seemingly relinquishing something – perhaps a scepter or crown – to the figure beside him, who is younger and clad in similar regal attire. The gesture suggests a transfer of power or authority.
The hall itself is richly decorated with ornate moldings, gilded details, and what appear to be large windows or alcoves displaying landscape views. Several portraits hang on the walls, reinforcing the sense of established lineage and tradition. Above the central figures, sculptural elements depicting putti and other allegorical figures are visible in the ceiling’s ornamentation.
A multitude of individuals fill the hall, arranged in a tiered fashion that suggests social hierarchy. They are dressed in formal attire – wigs, powdered hair, elaborate coats – and their expressions range from solemnity to polite interest. The artist has captured a remarkable level of detail in rendering these figures, allowing for individual characteristics and subtle nuances in posture and expression to be observed.
The foreground is populated by individuals moving towards the central platform, some appearing to offer congratulations or participate in the ceremony. A sense of controlled movement pervades the scene; it’s not chaotic but rather orchestrated, indicative of a carefully planned event. The artist has skillfully used perspective to create depth and draw the viewers eye toward the focal point of the abdication.
Subtleties within the painting hint at deeper meanings. The contrast between the older figure’s apparent weariness or resignation and the younger figure’s poised readiness could symbolize a generational shift in leadership, or perhaps a transition from one era to another. The presence of numerous onlookers suggests not only the importance of the event but also its performative nature – a public display of power and succession. The overall impression is one of solemnity, tradition, and the weight of responsibility associated with royal authority.