Part 3 Prado Museum – Carducho, Vicente -- El martirio de los cartujos de Roermond
1626 1632, 337 cm x 297,5 cm, Lienzo, Lienzo.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The scene unfolds within an architectural setting that suggests a fortified structure – possibly a monastery or religious building. A heavy wooden door, reinforced with ironwork, is visible on the left side of the composition, hinting at confinement and resistance. Behind this barrier, another figure stands observing the violence, holding what appears to be a large sickle.
The artist has employed a chiaroscuro technique, utilizing stark contrasts between light and shadow to heighten the emotional impact. The figures are illuminated in patches, drawing attention to their expressions of pain, rage, and fear. The lighting serves not only to define form but also to create an atmosphere of heightened tension and impending doom.
Several other individuals populate the scene: some appear to be actively participating in the assault, while others seem to be onlookers or victims caught in the chaos. A group of figures dressed in monastic habits are clustered together on the right side of the composition, their faces etched with terror as they witness the unfolding brutality. The presence of these religious figures underscores a theme of persecution and martyrdom.
In the background, above the immediate action, a small crucifix is positioned atop a ledge, serving as a symbolic reference to sacrifice and suffering. This placement suggests a connection between the depicted violence and a larger narrative of faith and endurance.
The overall effect is one of visceral intensity and profound tragedy. The artist has not shied away from depicting the brutality of the event, aiming to evoke feelings of pity, horror, and perhaps even righteous indignation in the viewer. Subtly, the composition suggests themes of religious conflict, oppression, and the resilience of faith in the face of adversity.