Sorolla y Bastida, Joaquín – ¡Aún dicen que el pescado es caro! Part 3 Prado Museum

The composition presents a bustling scene within what appears to be a fish market or processing area. Light floods in from a high window, illuminating a group engaged in preparing fish for sale. A central figure, presumably a vendor, is depicted meticulously filleting a large fish laid out on a wooden surface. The artist’s attention to detail is evident in the rendering of scales and the precise movements of the knife.
To the left, a bowl overflows with discarded fish remnants, adding to the sense of industry and waste inherent in this trade. A second man, seated and observing the filleting process, occupies the right side of the frame. His posture suggests a seasoned familiarity with the work, perhaps an older colleague or mentor. A young boy stands close to the vendor, his gaze fixed on the task at hand; he seems to be learning by observation.
The spatial arrangement is complex, utilizing diagonal lines created by the sloping roof and the placement of barrels and ropes suspended from above. These elements contribute to a feeling of enclosure and emphasize the cramped working conditions. The color palette is dominated by earthy tones – browns, greys, and ochres – which reinforce the atmosphere of a practical, unglamorous environment.
Beyond the immediate depiction of labor, there’s an underlying commentary on social class and economic realities. The scene evokes a sense of everyday life for working-class individuals, highlighting their toil and resilience. The title, implied by the context, suggests a sardonic observation about the perceived cost of fish, hinting at the struggles faced by ordinary people to afford basic necessities. The inclusion of the young boy implies the cyclical nature of this labor, suggesting that future generations will continue in this tradition. Overall, the work captures a moment of quiet industry within a larger system of commerce and survival.