Part 3 Prado Museum – Ribera, José de -- San Agustín en oración
Primera mitad del siglo XVII, 203 cm x 150 cm, Lienzo, Óleo.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The artist employed a tenebrist style, utilizing stark contrasts between deep shadow and intense highlights. This technique draws immediate attention to the figure’s face and hands clasped in prayer, while obscuring much of the surrounding space within darkness. The light itself seems almost tangible, acting as a divine spotlight focused on this moment of spiritual crisis.
The table serves as a visual anchor, grounding the composition despite the figures dynamic pose. The scroll suggests a connection to written knowledge and religious doctrine, implying that his prayer is not merely an emotional outpouring but also a reasoned plea rooted in faith. The presence of the decorative element on the table adds another layer of complexity; it could symbolize divine grace or perhaps the tangible rewards of piety.
The floor tiles, rendered with meticulous precision, provide a sense of spatial depth and further emphasize the figure’s isolation within this confined space. They also contribute to the overall feeling of austerity and solemnity.
Subtly, theres an element of vulnerability conveyed through the man’s posture and expression. He is not presented as a triumphant saint but rather as a human being wrestling with spiritual doubt or seeking solace in moments of hardship. The darkness enveloping him suggests a struggle against unseen forces, while the light represents hope and divine intervention. This painting speaks to themes of faith, repentance, and the enduring search for meaning within a world often shrouded in uncertainty.