* * *Пространство Врубеля – пласты,Что цветом друг идут на друга.На Демона взираешь ты,И страшно – будто бы округаВдруг изменилась. А потомГлядит в тебя Царевна-лебедь – Мистический как будто неводТебя поймал.И где твой дом? ❯❯❯
ВРЕМЯ СОБИРАТЬ КАМНИПриходит время собиратьДавно разбросанные камни.Как собирать? Едва ль руками – Но мысли высотой ровнять.Кривые мысли – и ониКорнями в душу прорастают.Их страсти густо удобряют – На страсти столь богаты дни.Тех мыслей выровняешь рост?Их ❯❯❯
и сотворил тебя небес художникТы нарисован смело на холстев богов уверует безбожникне усомнится в чёрта чистотеТебя увидев он роняя слезы умчится с верой в свет Творца и ощущая наказания угрозу он превратится в беглеца.Когда он убежит прозренья устыдившись ❯❯❯
Mikhail Vrubel was a genius who was decades ahead of his time. The son of a military man, he did not follow in his fathers footsteps but became passionate about painting. His early admission to the Academy of Arts predetermined his fate. However, life and society favored Vrubel only in the first years of his work.
His successful start as an artist gave him the opportunity to paint the Cyril Church in Kyiv. The client was amazed by the artists academic style, but the more Vrubel worked on the paintings, the more he came to the conclusion that he was not entirely satisfied with the traditional use of lines and colors.
He tried to use a fragmented style to convey form and color, in which the image seemed to break down into several fragments, and he also tried to depict a rebellious demon, whose prototype was the biblical Lucifer. However, all these attempts at self-expression were rejected by the public.
The situation worsened because a spiritual crisis was added to the creative one: Vrubel fell hopelessly in love and decided to return to St. Petersburg. Vrubel took on the task of decorating panels for the All-Russian Nizhny Novgorod exhibition, where he began painting an illustration for the bylina Mikula Selyaninovich, but his phantasmagoric style, full of unusual color contrasts, was categorically disliked by state critics.
Despite being rejected by society, Vrubel continued to create. The defining work of his life became The Demon – the artist finally managed to realize his dream and depict a dark angel as an illustration for a new edition of Lermontovs collected works. Many admired the forms he found, the restless combination of blue and crimson, the stone flowers that emerged on the background of the Demons attire, and the melancholic face of the angel. But there were those who considered Vrubel a blasphemer, which exacerbated the artists depression.
His marriage to singer Nadezhda Zabela temporarily gave Vrubel new strength. He created an incredibly delicate portrait of his wife as a swan princess, in which the woman seemed to be drowning in soft feathers, but even this painting was not liked by many.
In fits of depression caused by misunderstanding, Vrubel created another work – The Flying Demon. It clearly shows how powerful the artists talent was, able to convey the otherworldly power of Lucifer in a special mosaic style.
With strong, but fragmented strokes, Vrubel creates the third part of his artistic epic – The Fallen Demon. At that time, he was already suffering from deep depression and had to seek treatment. Despite the attacks, Vrubel continued working on the painting The Six-Winged Seraphim. It is in this painting that it is clearly seen how skillfully the artist uses color and form, creating a mystical image of a biblical creature with a tense look in its piercing blue eyes.
Although Vrubels themes and color schemes harmonized with the Art Nouveau era in which he lived, the artist was not fully understood until half a century later. Even now, his paintings, resolved in all their colorful diversity, make us remember Vrubel and his difficult and tragic fate.
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Mikhail Vrubel was a genius who was decades ahead of his time. The son of a military man, he did not follow in his fathers footsteps but became passionate about painting. His early admission to the Academy of Arts predetermined his fate. However, life and society favored Vrubel only in the first years of his work.
His successful start as an artist gave him the opportunity to paint the Cyril Church in Kyiv. The client was amazed by the artists academic style, but the more Vrubel worked on the paintings, the more he came to the conclusion that he was not entirely satisfied with the traditional use of lines and colors.
He tried to use a fragmented style to convey form and color, in which the image seemed to break down into several fragments, and he also tried to depict a rebellious demon, whose prototype was the biblical Lucifer. However, all these attempts at self-expression were rejected by the public.
The situation worsened because a spiritual crisis was added to the creative one: Vrubel fell hopelessly in love and decided to return to St. Petersburg. Vrubel took on the task of decorating panels for the All-Russian Nizhny Novgorod exhibition, where he began painting an illustration for the bylina Mikula Selyaninovich, but his phantasmagoric style, full of unusual color contrasts, was categorically disliked by state critics.
Despite being rejected by society, Vrubel continued to create. The defining work of his life became The Demon – the artist finally managed to realize his dream and depict a dark angel as an illustration for a new edition of Lermontovs collected works. Many admired the forms he found, the restless combination of blue and crimson, the stone flowers that emerged on the background of the Demons attire, and the melancholic face of the angel. But there were those who considered Vrubel a blasphemer, which exacerbated the artists depression.
His marriage to singer Nadezhda Zabela temporarily gave Vrubel new strength. He created an incredibly delicate portrait of his wife as a swan princess, in which the woman seemed to be drowning in soft feathers, but even this painting was not liked by many.
In fits of depression caused by misunderstanding, Vrubel created another work – The Flying Demon. It clearly shows how powerful the artists talent was, able to convey the otherworldly power of Lucifer in a special mosaic style.
With strong, but fragmented strokes, Vrubel creates the third part of his artistic epic – The Fallen Demon. At that time, he was already suffering from deep depression and had to seek treatment. Despite the attacks, Vrubel continued working on the painting The Six-Winged Seraphim. It is in this painting that it is clearly seen how skillfully the artist uses color and form, creating a mystical image of a biblical creature with a tense look in its piercing blue eyes.
Although Vrubels themes and color schemes harmonized with the Art Nouveau era in which he lived, the artist was not fully understood until half a century later. Even now, his paintings, resolved in all their colorful diversity, make us remember Vrubel and his difficult and tragic fate.
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