Nearer he drew and many a walk traversed Of statliest covert cedar pine or palm Gustave Dore (1832-1883)

The drawing presents a dense, overgrown landscape dominated by lush vegetation. A winding path leads the eye into the composition, terminating at a clearing where two figures are positioned near a source of light or perhaps a pool of water. The foliage is rendered with meticulous detail using cross-hatching techniques, creating a sense of depth and texture that emphasizes the oppressive nature of the environment.
Here we see a man seated on what appears to be a rocky outcrop, his posture suggesting contemplation or weariness. Beside him stands a woman, her form partially obscured by the surrounding foliage. The interaction between them is ambiguous; they seem engaged in quiet conversation, yet their expressions are difficult to discern due to the distance and shading.
In the foreground, a serpent coils on the path, its head raised as if observing the figures above. Its presence introduces an element of potential danger or temptation into the scene. The creature’s placement is deliberate; it acts as a visual barrier between the viewer and the central narrative unfolding in the clearing.
The light source, emanating from behind the woman, creates a halo effect around her figure, suggesting a degree of significance or perhaps divine association. This contrasts with the darker tones enveloping the man, hinting at a possible imbalance or conflict within their relationship. The overall atmosphere is one of mystery and foreboding, implying that the characters are on the precipice of a pivotal moment.
The artist’s choice to depict such an elaborate natural setting suggests a symbolic representation of a complex moral or spiritual journey. The dense vegetation could represent obstacles or temptations, while the serpent serves as a traditional symbol of deceit and transgression. The drawing invites contemplation about themes of innocence, knowledge, and the consequences of choices made within a seemingly idyllic environment.